These two first novels confront the ongoing complaints of literary commentators that new novels are too often set in the past rather than dealing with present realities. Moving from the criticism of ‘literary grave-robbing’ by American author Jonathan Dee, Malcolm Knox has complained that most major Australian novelists tend to mine fantastic or historical subject matter rather than examining the culture of our daily lives. Knox takes Jonathan Franzen’s The Corrections, a popular and critical success, as his model for a perceptive fictional treatment of popular culture. More recently, David Marr urged novelists to use contemporary settings to address what he calls the ‘new philistinism of John Howard’s Australia’.
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