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Jordie Albiston

Discussing the genesis of a poem, W.H. Auden told Paris Review that at any given time he had two things on his mind: ‘a theme that interests me and a problem of verbal form, meter, diction, etc. The theme looks for the right form; the form looks for the right theme. When the two come together, I am able to start writing.’ Australian poet Jordie Albiston ...

Vertigo edited by Jordie Albiston & Awake Despite the Hour by Paul Mitchell

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October 2007, no. 295

Reading Paul Mitchell’s second book of poems during a bout of insomnia seemed apposite not only because of its title but also because Mitchell’s poetry occupies a strange middle place, somewhere between dream and reality. Awake Despite the Hour illustrates Mitchell’s interest in occupying both the ‘real’ (politics, family and the quotidian) and the extramundane (imagination, the surreal and the metaphysical).

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The Fall by Jordie Albiston

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August 2003, no. 253

Jordie Albiston’s latest collection opens with a remarkable poem about a woman falling from the Empire State Building and falling, at the same time, through the story of her life:

In the air, a moment can take on the time centuries span.
She falls through former selves above a thousand heads.
No one looks up. No one looks towards the bright sedan.
Within a handful of time, it will be her crumpled bed.

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