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National Gallery of Australia

Patricia Anderson reviews 'At Home In Australia' by Peter Conrad

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March 2004, no. 259
Patricia Anderson reviews 'At Home In Australia' by Peter Conrad

We’ve been hectored by Miss Greer and savaged by Mr Hughes, but, like Goldilocks with the three bears’ bowls of porridge, Mr Conrad loves us just right. His book At Home in Australia is a collaboration between the National Gallery of Australia and Thames & Hudson, and more particularly between himself and Gael Newton, the gallery’s Senior Curator of Photography, who rang him in London with an invitation to write a book about the gallery’s photography collection.

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Building the Collection edited by Pauline Green

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November 2003, no. 256
Patricia Anderson reviews ‘Building the Collection’ edited by Pauline Green

Robert Hughes, bemoaning the contents of the Art Gallery of New South Wales in 1959, cast an eye over its sandstone façade decorated in bronze letters with such august names as Rubens, Titian and Raphael, and quipped: ‘Never has so large a nut housed so inadequate a kernel.’ The National Gallery of Australia was in every respect the opposite story: its collection was a fat kernel in search of a shell. Until 1968 this collection, thought to comprise some 3000 works, was strung around Canberra offices and Australian embassies like so much washing on a line. The Commonwealth Art Advisory Board, which would soon be dismantled, had been buying energetically, if conservatively, for years. However, there was no catalogue, no conservator to care for them and no established policy for the collection.

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The Oil Paintings of Arthur Streeton in the National Gallery of Australia by Mary Eagle

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August 1994, no. 163

This is now the best book on one of Australia’s best – and best-loved – artists: Arthur Streeton, who worked in Melbourne, Sydney, Cairo, Canada, and London, and exhibited from 1884 to 1943. The National Gallery owns forty-six oil paintings, from 1884 to 1934, some being his best and most characteristic, others interesting oddities or minor pot-boilers. Of course, many of his most famous works are not here, but we see him whole.

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