Polity

In a survey on humanity’s most vital inventions, the British public ranked the flush toilet above mobile phones, beds, shoes, and the combustion engine. Who can blame them? In a well-sewered world, we are protected from many of the infectious diseases that contributed to making our unplumbed ancestors’ lives nasty, brutish, and short. Cholera, hepatitis, polio, and the diarrhoeal diseases that continue to kill more people globally than acts of violence all implicate faecal transmission. It seems only rational to dispatch our excrement as quickly as possible in a cleansing torrent of water.

In May 2021, scientists at Woebot Health, a US-based artificial intelligence company, published a paper titled ‘Evidence of Human-Level Bonds Established with a Digital Conversational Agent’. Reading it back then, I felt like a door had suddenly opened from nowhere. But not just any door: this one led directly to a passage into human inner life and one of its most intimate dimensions: the nature and experience of emotional bonding.

It has been a long time since the West had a hero like Volodymyr Zelensky, who is frequently ranked alongside Winston Churchill as a wartime leader and orator, Mikhail Gorbachev as a reformer, and Emmanuel Macron as a political disruptor. However deserved these comparisons may be, they deflect attention from the murky post-Soviet environment which shaped his career. The collapse of the region’s communist economy has left a legacy of corruption which, together with the deep intertwining of Ukrainian and Russian society, means that Zelensky’s case is not as clear-cut as it may seem to outsiders.

Few academics, policy analysts or politicians can see any humour in climate change. It is as if the doomsday prediction that our civilisation will one day self-destruct as a consequence of global warming has already, perversely, closed down the possibilities for lighter, more creative responses to one of the most urgent issues of our time. To acknowledge a humorous side to catastrophe is not, however, to deny the reality of global dangers. For humour, as Sigmund Freud underscored, is crafty, clever, streetwise, and implacable. How many climate change sceptics does it take to change a lightbulb? None – it’s too early to say if the light bulb needs changing.

In November 2011, amid the Occupy Movement that followed the 2008–9 recession, seventy-odd Harvard students walked out of their introductory economics course taught by Greg Mankiw, author of the world’s bestselling economics textbooks. The students protested that Mankiw’s faith-in-markets economics had little relevance for their crisis-riddled world. The walkout proved more than a campus stunt. Similar protests followed in universities across the world. Senior academics threw in support. New networks and organisations emerged, proposing alternative economics curricula, forums, and ideas. Their aim, as one campaigner put it, was to combat the ‘fantasy world of neoclassical economics – a faith-based religion of perfect markets, enlightened consumers and infinite growth that shapes the fates of billions’.

Michel Houellebecq has never been one to hide his light under a bushel. Since the publication of his second and best-known novel, Atomised, in 1998 (the same year some of the pieces included in Interventions 2020 were originally published in French), Houellebecq has established himself as the enfant terrible of French letters, primarily through his provocative and at times incendiary remarks. Indeed, there is a certain expectation that Houellebecq will live up to his reputation, something he notes in his reflections on paedophilia: ‘Through the wording of your questions, I feel I am subtly being asked to say something politically incorrect.’ Rarely does he disappoint.

Theory of what?’ is the obvious lay response to Philipp Felsch’s title. But for those in the know, it goes without saying that he is talking about Theory with a capital T. That strange hybrid of philosophy, ethnology, and literary criticism cast its spell over participants in the student movement in Germany from the mid-1960s and in Paris after 1968. In the 1980s and 1990s, it reached the humanities departments of Anglophone academia, making a PhD dissertation without a Theory component a risky undertaking. This applied even in history, traditionally the most empirical of disciplines; and in 1994, Keith Windschuttle, soon to be prominent in the Australian ‘history wars’ about the interpretation of European colonisation, was provoked to write a whole book entitled The Killing of History: How a discipline is being murdered by literary critics and social theorists.

Bruno Latour’s new book, After Lockdown: A metamorphosis, is so engaging from the first that one feels obliged to begin just where he does: with an arresting portrait of a man who wakes from a long sleep to find that everything, save the moon and its indifferent rotations, makes him uneasy. Everywhere he sees reminders of the lost innocence of the Anthropocene. The sun brings to mind global warming; the trees, deforestation; the rain, drought. Nothing in the landscape offers solace. Pollution has left its mark everywhere, and he feels vaguely responsible for it all. And now, to top it off, the very breath that sustains his life carries the risk of premature death. How many of his neighbours might he infect (or be infected by) amid the vapour trails of his evening walk? Nature, it seems, is having its revenge, and the ‘in-out-in’ of lockdown threatens to become interminable.

With the possible exception of Jean Baudrillard or Anthony Giddens, it is difficult to think of a contemporary sociologist who has rivalled the international intellectual standing, as well as global fame, of the late Zygmunt Bauman. In his subtle, worldly intelligence, his interdisciplinary engagement, and his poetic cast of mind, Bauman stands out as one of the most influential social thinkers of our time. A distinguished heir to the tradition of radical Marxist criticism, his writings tracked the political contradictions, cultural pressures, and emotional torments of modernity with a uniquely agile understanding. With his scathing critical pen and brilliant socio logical investigations, Bauman unearthed major institutional transformations in capitalism, culture, and communication in a language that disdained all academic boundaries, crossing effortlessly from Marx to mobile phones, from Gramsci to globalisation, and from postmodernism to the privatisation of prisons.

Borrowing a term coined by the late Jewish Nobel Laureate and vegetarian Isaac Bashevis Singer, Charles Patterson (in)famously likened humanity’s treatment of animals to an ‘eternal Treblinka’. In his 2001 book of the same name, Patterson set the mass murder of Europe’s Jews and industrialised animal slaughter side by side, drawing a line between the production methods of Chicago’s early twentieth-century slaughterhouses, the assembly-line technology pioneered by Henry Ford – an avowed anti-Semite and Hitler supporter – and the death camps of Nazi Germany. Another Jewish writer, the German philosopher Theodor Adorno, is said to have observed that ‘Auschwitz begins whenever someone looks at a slaughterhouse and thinks: they’re only animals’.