By chance the other day, watching British director Herbert Wilcox’s toe-curling ‘Scottish’ whimsy, Trouble in the Glen (1954), one of Orson Welles’s worst films (one of anybody’s worst films), I was struck anew by the fact that even when Welles could not save a film, he was always sure to be remembered in it. Here he plays a Scottish laird, long absent in South America, who returns to take up the castle he has inherited and, failing to bring a castful of theatrically canny Scots to heel, admits his errors and ends by presiding – benignly, but still presiding – in a kilt, yet. A romantic liaison and an appalling little girl taking her first post-illness steps may be intended to warm our soured hearts, but it is the massive figure avoiding the worst punishments for hubris that grabs what is left of our attention.