Bantam Press

I’ve interviewed Stephen Hawking twice. On both occasions it was in his old office in Silver Street, Cambridge – in front of his huge poster of Marilyn Monroe. The first time, in 1989, I was a little anxious, not because I was with the world’s best-known scientist, but because I found the awkward silences waiting for his answers hard to manage. What do you do, having asked a question, during the two or three minutes it takes him to put together a sentence on his machine? You can’t stare at him for that long – we’re not equipped to do that with anyone for more than seconds. Ignore him? The way we ignore other crippled folk, without realising it? Hardly!

The Barton family of Susan Johnson’s Life in Seven Mistakes is ‘unhappy after its own fashion’, to quote Tolstoy’s famous dictum. Elizabeth Barton’s perspective dominates the narrative. A 49-year-old ceramicist who lives in Melbourne and is preparing for her first exhibition in New York, Elizabeth is under pressure to complete some pieces needed for her opening. With her third husband, Neil, Elizabeth and her three children are spending Christmas with her parents. Bob and Nancy Barton have retired to the Gold Coast where they live in a vulgar, ferociously air-conditioned apartment. Also there are one of Elizabeth’s brothers, Robbie, with his wife, Katie, and their two children. The youngest brother, Nick, is in jail for drug offences and erased from the family narrative, but he is ever-present in Elizabeth’s mind.

Despite predictions that globalisation would homogenise cultures, ethnicity continues to split states asunder. Democratic theorists fear that consensus, equality and social capital are retreating before competition, materialism and resentment. The 2004 federal election campaign became a festival of individualism as alternative governments courted voters not with visions of a richer community but with promises of greater disposable household income after health and education costs.