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Robert Engwerda

A flooding river in the Victorian goldfields of the late 1890s dominates Robert Engwerda’s second novel, Mosquito Creek. Hidden undercurrents, old secrets and the threat of imminent death shadow this compelling narrative. Engwerda strives for a mood of anticipation, which is heightened by longing and brutality. The story follows events in the lives of several key inhabitants of a remote township, each struggling to cope with the rising flood. A bureaucrat commissions a boat to be built in order to rescue marooned miners; a policeman tries to maintain order in the town while he tries to solve a murder; a woman dreams of escape from a violent father. Linking these characters’ stories is the ambiguous presence of Phillip Oriente, the murder victim, who appears almost entirely through a series of second-hand accounts.

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Seeing George by Cassandra Austin & Backwaters by Robert Engwerda

by
December 2004–January 2005, no. 267

Of these three début novels, John Honey’s Paint is by far the richest: the only one that has the feel of a world turning as its pages ever more rapidly must be turned. Honey has created characters that matter to the reader and offers a truly immersive reading experience.

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