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Have you ever noticed how otherwise intelligent journalists find it almost impossible to write seriously about Adelaide Festival’s Writers’ Week? Predictably, they seem compelled to joke about the prodigious quantity of booze consumed – but perhaps they have never attended a business or an academic convention. Then well-known visiting writers apparently must be called ‘literary lions’ – an alliterative cliché suggesting that these writers are somehow not really human. There is usually some marvelling at the miracle that for once the big names (the lions) haven’t dropped out – as though there have been no Writers’ Weeks since 1976, the last time they did drop out. And inevitably there is an awkward, giggly tone to their articles, suggesting acute discomfort or embarrassment.
... (read more)At a seminar on the arts and the economy held recently in Melbourne, Laurie Muller, general manager of the University of Queensland Press, attacked what he described as the myth of the Australian publishing industry. According to Muller, the market size for serious Australian books is so small (one to three thousand) that publishers can barely recoup their development costs, let alone make any profits to service capital and finance further books and expansion.
... (read more)The Morality of Gentlemen by Amanda Lohrey & This Freedom by John Morrison
If we are not what we eat, and we are not, nor what we read, as we are also not, nevertheless a plate of latkes and a page of Saroyan do something to limn the portrait, as the crashing waves delineate the shoreline rock.
Naah.
Skip that.
... (read more)My first contact with Arthur Phillips was through a note signed A.A.P., attached to a short story that an editor couldn’t find space for. The note pointed out that the story lacked reality, e.g. a child was allowed to sit in a hotel bar. When I finally got to meet A.A. Phillips, it was over a drink. The pleasure at meeting was enhanced by a child at the next table. I ribbed Arthur about this, telling him that he had sinned against the commandments of social realism. He allowed me my small victory (the story is still unpublished) and then told a number of very funny stories against himself. I knew him only slightly, but that minimal acquaintanceship showed him to be as extraordinary and as delightful in his living as he was in his writing.
... (read more)