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East of Time by Jacob G. Rosenberg

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September 2005, no. 274

Most of a lifetime ago, I read of an exhibit at the Bell Telephone headquarters. It consisted of a box from which, at the turning of a switch, a hand emerged. The hand turned off the switch and returned to its box. If this struck me as sinister, it was because the gambit seemed emblematic of human perversity – of a proneness to self-annulment ...

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Melbourne woman Kate Holden’s memoir of being a heroin user and of working as a prostitute to fund her habit opens with a quote from Virgil: ‘To descend into hell is easy. But to return – what work, what a labour it is!’ The quote is at odds with the life story Holden constructs in this brave, explicit, and extremely well-written book ...

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A laughing man, according to Flaubert, is stronger than a suffering one. But as Craig Sherborne’s extraordinary new memoir of childhood and youth shows, the distinction isn’t that simple. There is much to laugh at in Hoi Polloi, but this is also a book suffused with pain and suffering ... 

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The kookaburra begets the sacred kingfisher

who begets the rainbow bee-eater

who begets the firetailed finch

who begets the forty-spotted pardalote

who begets the damsel fly

who begets the jewelled beetle

who begets a pentangle of reflected light

that falls on a colony of dust mites

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(from Peter Henry Lepus in ‘Iraq, 2003’)

 

Are all Arabs Muslims? Peter Henry asks.

Nobody answers him.

She’s got dark hair that stops

just above her shoulders.  Turns up at the ends.

She’s very slim, Max says.

He’s talking to Hamid

about Weasel Smith’s girlfriend,

whom he is hoping to meet

somewhere south of Baghdad.

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In the park outside my hotel in downtown Cincinnati, Ohio, there is a splendid statue in bronze of President James Garfield, modelled in 1885 by one Charles H. Niehaus and cast in Rome. The pose is oratorical and forms a convenient hub for several witty panhandlers. Somebody has lodged a Panasonic logo high up inside the twentieth president’s lapel. The Cincinnati Club is down the block, a huge post-Albertian palazzo that would have made the Gonzagas blush. For a wedding, floor-to-ceiling arrangements of white and pink roses and several truckloads of lily of the valley effervesce upstairs amid chandeliers, while jungly orchids creep down the front hall banisters – all clearly visible from the other side of the street. Obviously, they have invited only the immediate country. Around the corner is a hat shop from another era, with the elevated thrones of a separate shoe-shine department running down one side, and a fully operational hat-steamer snorting among stacks of boxes behind the wide counter opposite. I find myself being fitted for a beautiful pork-pie hat by Biltmore of Canada.

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Griffith Review 8 edited by Julianne Schultz & Heat 9 edited by Ivor Indyk

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September 2005, no. 274

Hands up if you subscribe to an Australian journal. Keep them up if you subscribe to more than one. More than two? If you read them? Cover to cover? Half? More than two articles an issue? Hands up if you look forward to them. Maybe it’s just me, but there’s something that makes me terribly tired when faced with the prospect of Australia’s literary and political journals. I stand in front of the (small) shelf made available for them in my local bookshop and try to muster up the enthusiasm I might feel when faced with a shelf of new books; try to feel excited at the prospect of reading them. I have a couple of subscriptions, and when they arrive, I make a point of tearing the envelope open immediately to have a look. And yet I still have to push past a barrier of resistance to sit and actually read them.

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Henry Pollack, the founder of Mirvac, one of Australia’s largest and most successful property development companies, started life in Lodz, a booming Polish textile town. Born in 1932, he belonged to a well-to-do family and became a bookish boy. He writes about his youth with vivid openness, describing not only events but his feelings, thoughts and youthful ideals. With this memoir, written towards the end of his life, Pollack comes close to being the writer he dreamt of becoming as a boy. Memories of his childhood have a fidelity and clarity that may well be the result of a life lopped and restarted at the age of sixteen; those early years are preserved as if in a time capsule.

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Ghost Tide by Yo Yo, translated by Ben Carrdus

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September 2005, no. 274

A friend called me from Beijing recently to ask advice about her novel. She had played a prominent part in the avant-garde art movement associated with the protests at Tiananmen in 1989, and had achieved notoriety in both art and life. Fifteen years on, she wanted to give her own account of events, choosing the form of a roman-à-clef that would be published first in English. But now the Hong Kong agent helping to prepare her text wanted changes to enhance its appeal to foreign publishers. The agent wanted to tart it up, and my friend was unhappy.

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The parameters of the twentieth century have, in the hands of historians, proved rather malleable. The need to contextualise the ‘End of History’, and a belief that eras are less arbitrarily and more accurately defined by events than by calendars, justified Eric Hobsbawm’s chosen bookends to his acclaimed Age of Extremes: The Short Twentieth Century, 1914–1991 (1994). Harvard historian Stephen Graubard, in his magisterial exploration of the transformation of the American presidency during the twentieth century, extends the reach of the century into the twenty-first – a continuity justified by the redolence of the strategies pursued by George W. Bush to those of Ronald Reagan. For all the present incumbent’s protestations of paradigm shifts necessitating new approaches and responses, Graubard convincingly posits him among the twentieth-century presidents.

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