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Rodney Hall

There is often a speculative dimension to Rodney Hall’s fiction. Throughout his long career, he has tended to build his novels around alternative histories or unusual possibilities. Past works have imagined scenarios as diverse as Adolf Hitler arriving on the south coast of New South Wales and (where does he get his ideas?) Australia becoming a republic. The Last Love Story is in some respects unrepresentative of Hall’s vivid and expansive body of work. Compared to some of his earlier novels, it is concise and the natural flamboyance of his writing seems a little subdued. The novel does, however, develop from a typically interesting ‘what if?’

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In 1868 John Heaps (alias Muley Moloch), a preacher, self-styled prophet, and trained bootmaker, left England with a group of eight women bound for Australia. Their intention was to set up a mission dedicated to the development of their own perfection and a preparation for the Second Coming of Christ ...

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With the publication of Rodney Hall’s latest novel, The Grisly Wife, the author has brought to completion a trilogy that first began appearing in 1988. Since this last published novel is actually the middle work of the trilogy and what were formerly two separate novels are now bridged by this newcomer, we are finally given the opportunity to assess if and how the parts relate to the whole.

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The Most Beautiful World is somewhat of a conundrum at first look. I spent a long time trying to penetrate the surface of this latest book of poetry by Rodney Hall. I had just been reading his exciting, original, and well-sustained novel Just Relations, I guess I was looking for the same excitement here. It didn’t arrive on schedule.

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