Broken/Open, Jill Jones’s fifth book of poems, explores the meanings of breaking and opening partly through an exploration of memories where the past is more accessible than the unexpected shocks of the present. Jones’s previous book, Screens Jets Heaven: New and Selected Poems (winner of the 2003 Kenneth Slessor Poetry Prize), contained many poems that hinted at abstraction. Broken/Open, divided into eight sections, furthers that abstraction. Journeying through sites of childhood and memory, the book’s forays into the past open out the present, particularly in the last epiphanic section. Unlike in some earlier work, where social and political comment were overt, opinions are often relegated to phrases to make context for the main drama, although one poem mirrors the plight of asylum seekers with its rudimentary finish: ‘Because I don’t belong here – being from the State of Flux – my / papers do not rhyme … // Because I don’t belong here, I know it is better and I know it is / worse’ (‘Refrains on Sand’).