The publisher’s puff to actor Michael Craig’s autobiography, a ‘fascinating, wittily wicked memoir of his life in film, theatre and television’, is unfortunate: not only is its conventional hyperbole on this occasion a cruel overstatement, but it misleadingly suggests a meaningful structuring of the events of Craig’s long career – in three media on two continents – that is nowhere apparent. Craig himself calls it more modestly a ‘rambling discourse’.
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