NLA

In her Preface to Telling Lives, editor Chris Wallace invites the reader to join a thought experiment: a group of biographer-refugees, driven by earthly global warming to reside on planet Alpha Centauri, ask themselves: ‘Did biographers play a role in the downfall of Homo sapiens on Earth?’ Were they, in other words, complicit in the culture of disinformation that contributed to global catastrophe? Writing in the ‘post-truth era’, Wallace highlights the centrality of truth in what has traditionally been termed the ‘biographical contract’.

The concluding volume to Raymond Howgego’s epic Encyclopedia of Exploration completes a remarkable undertaking by a small publisher. Hordern House, best known as one of Australia’s leading antiquarian booksellers, has a record of producing high-quality publications, and Howgego’s Encyclopedia – now totalling more than 3,500 pages – is by any standards a great reference work. Volume 1 (published in 2003) covers the whole of human history up to 1800CE; Volume 2 (2004), 1800–50; and Volumes 3 and 4 (subtitled The Oceans, Islands and Polar Regions and Continental Exploration, respectively), 1850–1940.

Both a scholarly resource and a good read, Castieau’s diaries, effectively edited, enliven and enrich our sense of colonial Melbourne. Castieau’s modest standing adds to the diaries’ significance as they record the dailiness of life, combining the public and the private: work, life around town and ‘the domestic minutiae of everyday life captured in his relentless record’. What makes Castieau exceptional are the span and detail of the diaries: ‘His workaday life does not obscure the more important issues of colonial life – getting on, enjoying oneself, establishing a reputation, being part of the world.’

Treasures exhibitions have reached epidemic proportions in Australia since the runaway success of the National Library’s ‘Treasures from the World’s Great Libraries’, which ran from December 2001 to February 2002. Now the National Library has decided to repeat its act, but this time to concentrate on home-grown exhibits. Australia’s ‘great’ libraries, it must be noted, are in this case only the national, state and territory collections, a definition that might put the noses of some of the other major Australian libraries, such as those belonging to the older universities, out of joint.

During a career that lasted almost sixty years, Frank Hurley (1895–1962) produced thousands of negatives and more than sixty films. He also wrote some twenty books and was an avid diarist. A number of biographies have been written on Hurley, and Helen Ennis, in Man with a Camera: Frank Hurley Overseas, makes no attempt to revisit territory covered in these earlier publications, choosing to focus on a particular aspect of Hurley’s oeuvre: the photographs he took outside Australia. She draws on the extraordinary holdings of Hurley photographs in the National Library of Australia. The book comprises more than seventy full-page images illustrating the range of Hurley’s international work. It also complements John Thompson’s Hurley’s Australia: Myth, Dream, Reality, published by the NLA in 1999.