Barry Pearce

Sidney Nolan’s Ned Kelly (1946), and the Ramingining artists’ Aboriginal Memorial (1988), are the only two Australian works in a new and highly commercial picture book, 30,000 Years of Art: The Story of Human Creativity across Time and Space. The Ramingining installation of 200 painted hollow-log poles, the kind used as containers for human bones, was categorised as ‘Aboriginal Culture’. Nolan’s painting was categorised as an example of ‘Surrealism’, but the caption concluded, sensibly, with the concession that he was more than a Surrealist: ‘Ultimately Nolan never adopted a single idiom, instead exploring different moods and techniques to portray his themes of injustice, love, betrayal and the enduring Australian landscape.’

This timely monograph presents the life and work of an artist whose paintings have altered the way we see the modern world, particularly the industrial landscapes fringing our cities. Jeffrey Smart’s intensely realised paintings have the effect of making the ‘familiar strange’. They force us to reconsider both our relation to and perception of man-made environments, dominated as they are by factories, apartment blocks, freeways and street signs. Smart’s paintings display a mastery of classical composition, light and perspective as well as revealing the artist’s ongoing concern with the interplay between realism and abstraction. The 252 plates included in this volume allow the reader to appreciate the development of Smart’s unique oeuvre over a period spanning more than sixty years. Accompanying these illustrations is a text by Australian modernist scholar and curator Barry Pearce. This provides a valuable addition to the existing literature on the artist.