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Danielle Wood

The Gospel According To Luke by Emily Maguire & Rosie Little’s Cautionary Tales For Girls by Danielle Wood

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November 2006, no. 286

Love, family, hope, death and grief have always been among fiction’s chief concerns. The Gospel According to Luke and Rosie Little’s Cautionary Tales for Girls, both second books from their authors, share many of these themes. The Gospel According to Luke adds faith, belief, religion and prayer; and Emily Maguire adroitly pulls off what would, in lesser hands, be a farce.

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The Factory by Paddy O’Reilly & Cusp by Josephine Wilson

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March 2006, no. 279

While the imminent demise of the Australian novel continues to be predicted in the pages of the nation’s broadsheets, a curious thing is happening: two Australian publishing houses are creating new fiction lists. Australian Scholarly Publishing will present its fiction titles under the imprint Thompson Walker, and the University of Western Australia Press has come up with a New Writing series to showcase work from the postgraduate creative writing programmes of Australian universities.

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It is easy to understand two New York naturalists becoming fascinated with a thylacine. Margaret Mittelbach and Michael Crewdson discovered one, stuffed and mounted, in Manhattan’s American Museum of Natural History, and began to visit it with ‘something akin to amorous fervour’. It’s equally easy to understand how this rare specimen, with its ‘glorious Seussian stripes’ and tragically fascinating mythology, inspired the pair to travel to Tasmania to learn more about its origins. What is more difficult to understand is why, once Mittelbach and Crewdson had surveyed the existing literature on the thylacine, they pressed on to write and publish Carnivorous Nights: On the Trail of the Tasmanian Tiger instead of deciding that the story had been well and truly told. On my bookshelves are Tasmanian Tiger: A Lesson to Be Learnt by Eric Guiler and Philippe Godard (1998), and David Owen’s Thylacine (2003). Close by are two novels, Heather Rose’s White Heart (1999) and Julia Leigh’s The Hunter (1999), that pursue the tiger into fictional territory. Since these are just a fraction of the books already written on the subject, I would have thought that any new tiger book would have something significant to add to the story. Carnivorous Nights, unfortunately, does not.

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