To paraphrase Winston Churchill’s description of Russia as a riddle wrapped in a mystery inside an enigma, Percy Grainger is a minstrel wrapped in a harlequin inside a jack-in-the-box. His personality, obsessions, and general eccentricities still cause one to gasp and stretch one’s eyes even almost half a century after his own hypnotic eyes closed forever. His music, too, remains quicksilver; indefinable in its eclecticism, yet the work of a sprite who was also a genius who, magpie-like, collected music from wildly different sources to stuff into the capacious if overcrowded nest that was his mind.
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