If the back-flap biography did not proclaim John McDonald as ‘Australia’s premier arts commentator’, if the author himself did not describe The Art of Australia in the preface as ‘a massive work of synthesis intended to bring together the most recent scholarship’, and if it were not being puffed in advertisements as ‘destined to take its place as the definitive work on Australian art’, one might be inclined to take this book on its merits.
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