Slavoj Žižek

In Defense of Lost Causes by Slavoj Žižek & First as Tragedy, Then as Farce by Slavoj Žižek

February 2010, no. 318

Rex Butler reviews 'In Defense of Lost Causes' and 'First as Tragedy, Then as Farce' by Slavoj Žižek

In the chapter ‘Revolutionary Terror’ in In Defense of Lost Causes (2008), world-renowned Lacanian theorist Slavoj Žižek briefly discusses Georgi M. Derluguian’s Bourdieu’s Secret Admirer in the Caucasus (2005). Derluguian’s book traces the extraordinary career of one Musa Shanib, from Abkhazia on the Black Sea, who moved from being a Soviet dissident to a democratic political reformer and, finally, a Muslim fundamentalist, all the while maintaining an unwavering intellectual loyalty to the great French sociologist Pierre Bourdieu.

... (read more)

Reading Marx by Slavoj Žižek, Frank Ruda, and Agon Hamza

by Ali Alizadeh •

September 2018, no. 404

Ali Alizadeh reviews 'Reading Marx' by Slavoj Žižek, Frank Ruda, and Agon Hamza

According to one of Karl Marx’s most quoted formulations, history always repeats itself twice, first as tragedy, then as farce. One may see the famous – and, of course, infamous – nineteenth-century German radical according to his own schema. We may imagine the severe, thickly bearded ...

... (read more)

Advances - April 2009

by Australian Book Review •

April 2009, no. 310

‘Urgent things to say’ in the Calibre Prize

The competition was keen, the field unprecedentedly large (almost 200 entries), but after main readings and much discussion Kevin Brophy’s and Jane Goodall’s essays struck the judges of this year’s Calibre Prize for an Outstanding Essay (Gay Bilson, Peter Rose and Rebecca Starford) as being in a class of their own. It was impossible to split them. Both writers share the third Calibre Prize for an Outstanding Essay, and each will receive $5000.

That’s all they have in common, though. It would be difficult to find two more dissimilar essays, a measure of Calibre’s versatility and the diversity of the writers who are drawn to it. Jane Goodall’s theme, like her succinct title (‘Footprints’), has a kind of suaveness and urgency as she explores ideas about ecology and personal responsibility with reference to Kate Grenville, Mrs Aeneas Gunn, Nevil Shute and a sublime short story by Leo Tolstoy.

Kevin Brophy’s fruity title (‘“What’re yer lookin’ at yer fuckin’ dog?”: Violence and Fear in Žižek’s Post-political Neighbourhood’) introduces an amazing tale of domestic mayhem and incivility in present-day inner Melbourne. Kevin Brophy’s tormentors may have been the neighbours from hell, but what a tale it is. To make sense of this five-year drama, Kevin Brophy draws on the Slovenian philosopher Slavoj Žižek and his theory that violence – ubiquitous violence, as he sees it – is the very basis of late capitalist ‘post-political’ life.

... (read more)