Judith Loriente
The past is in Scotland
Dear Editor,
Christina Hill’s review of Peter Goldsworthy’s latest novel, Everything I Knew (November 2008), seems sure-footed in both its negative assessment of an ‘overwrought, undisciplined’ work and its appreciation of the novel’s compositional play, both intricate and subversive, with L.P. Hartley’s The Go-Between. It makes no mention, however, of the novel’s pointed intrigue with lyricism.
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