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Peter Stanley

Resembling the memorials seen all over Australia, a slouch-hatted digger stands atop an obelisk, his hands resting on a service rifle. However, this obelisk is not made of granite or marble but a pile of books ascending skywards. The cover of Peter Stanley’s penetrating critique of Australian military history, Beyond the Broken Years, is a telling, if reductive, visual conceit, suggesting the instrumental role played by historians in placing the soldier on a pedestal.

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That Magnificent 9th by Mark Johnston & Alamein by Mark Johnston and Peter Stanley

by
April 2003, no. 250

At 9:40 pm on 23 October 1942, in the North African desert, the heavens lit up with myriad flashes from more than one thousand guns, and the roar of the British Commonwealth Eighth Army’s opening barrage rolled out towards Field Marshal Rommel’s poised Panzerarmee Afrika. Promptly, at 10 pm, when two search-lights arced across the sky, beams crossing, the waiting infantry from Australia, Scotland, New Zealand, South Africa, India, and Great Britain rose from weapon pits, where they had been lying doggo all day, and began to fight their way forward through wired and dug defences, and ingeniously laid enemy minefields stretching up to six thousand metres deep.

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In 1885 the Singleton MHA and Militia officer Albert Gould reflected that, New South Wales having sent a contingent to fight for the empire in the Sudan, 'we shall be ...

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On the shelves of Australia’s bookshops colonial history follows military history in popularity, though a distant second. While, say, Allen & Unwin has made brave efforts with a succession of books about the convict period – Hamish Maxwell-Stewart’s Closing Hell’s Gates (2008), Babette Smith’s Australia’s Birthstain (2008) or Grace Karskens’s The Colony (2009) – not one (not even Thomas Keneally with his Australians: Origins to Eureka, 2009) has sold as well as Robert Hughes’s The Fatal Shore (1987). Hughes spoiled the Bicentennial celebrations for a generation of scholars, piqued at such a sensational popular book, one that outsold their academic books combined.

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Late in 1944 Richard Turner was at last able to come home. A Sydney taxi driver, he had been captured in Greece in June 1941. Like 2,000 other Australians, he missed the last boats to leave. Though captured by the Germans, he soon escaped to join the andartes – partisans fighting the Germans in Greece’s rugged interior. With the Germans pulling out, British officers managed to contact Richard and he was finally able to leave for home after nearly five years. On 17 December 1944 the lorry taking Richard to Athens airport accidentally drove into one of the first firefights of the Greek civil war. Richard now lies in the beautiful war cemetery at Phalereon, an oasis of peace amid the traffic that chokes Athens.

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Antoine Capet’s pithy observation that commemoration is the continuation of history by other means neatly defines the focus of Peter Stanley’s latest book and the problem that he sets out to grapple with. The recently successful advocacy of a ‘Battle for Australia’ annual commemoration flies in the face of the historical record and the evidence that supports it, but the advocates of the popular notion that the Japanese stood poised to invade Australia in 1942 have never allowed the facts to get in the way of a firmly rooted belief.

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