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Brenda L Croft

Who’s your mob?

by Shino Konishi, Julie Andrews, Odette Best, Brenda L. Croft, Steve Kinnane, Greg Lehman, and Uncle John Whop
October 2023, no. 458

In his 1968 Boyer Lectures, After the Dreaming, anthropologist W.E.H. Stanner lamented that Aboriginal and Torres Strait Islander Peoples had been omitted from narratives of the nation’s past. Contending that this omission was ‘a structural matter’, he likened Australian history to ‘a view from a window which has been carefully placed to exclude a whole quadrant of the landscape’. He proposed that the kinds of stories which could bring Indigenous history into view for Australian readers would focus on the lives of individuals.

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Brenda L. Croft is from the Gurindji/Malngin/Mudburra peoples from the Victoria River region of the Northern Territory of Australia, and Anglo-Australian/German/Irish/Chinese heritage. She has been involved in the Australian First Nations and broader contemporary arts and cultural sectors for more than three decades as an artist, arts administrator, curator, academic, and consultant ...

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Desert Country by Nici Cumpston with Barry Patton & Yiwarra Kuju by National Museum of Australia

by
November 2010, no. 326

During the Cairns Indigenous Art Fair (CIAF) held this August in far north Queensland, the city was buzzing with the visit of many of the country’s leading contributors to contemporary indigenous arts and culture. I ran into some of the most significant visual, performing and literary indigenous artists and arts professionals, many with hereditary links to the region, such as internationally renowned artists Vernon Ah Kee, Ken Thaiday Sr, and Daniel Boyd, and leading arts advocates, mingling with emerging artistic practitioners.

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