Mickey and Mallory love to kill. Murder comes naturally to them – it’s all part of a successful day’s work. Bullets fly, bodies drop, and the couple move on as if enjoying a prolonged shopping spree in which the objects consumed just happen to be human lives. Their actions blend in perfectly with a culture that emphasises mass production, mass consumption, repetition, seriality. After all we ... (read more)
Barbara Creed
Barbara Creed is an Honorary Professor of Film Studies at the University of Melbourne. She is the author of The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Routledge, 1993); Media Matrix: Sexing the New Reality (Allen & Unwin, 2003); Phallic Panic: Film, Horror & the Primal Uncanny (MUP, 2005); and Darwin's Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema (MUP, 2009).