Penguin

Chandani Lokugé’s second novel touches on a theme common to such varied texts as Michel Houellebecq’s Platform (2002) and Alex Garland’s The Beach (1997): the Western fascination with, and exploitation of, the communities of beautiful Asian beaches.

Turtle Nest takes the postcard-perfect idyll of a Sri Lankan beach as the setting for a far from idyllic tale about exploitation and family tragedy. Aruni journeys to this beach from Australia in order to find out more about the history of her mother, Mala, but her pilgrimage does not give her peace.

The new edition of Henry Reynolds’s acclaimed The Law of The Land is described on its front cover as ‘the ground-breaking book about land rights in Australia’, but ‘the heart-breaking book’ would be more apt. Reynolds has updated his classic text by documenting the progress (or otherwise) of native title since the 1992 Mabo High Court decision. It is not a happy story.

In the book’s first edition, published in 1987, Reynolds advanced the argument that native title rights were recognised – but not properly protected –under British common law in the early nineteenth century. On the frontier, where violence ruled, those legal rights were generally disregarded, but, as Reynolds argued, not necessarily explicitly extinguished. The thesis outlined in The Law of the Land is popularly believed to have been influential in the 1992 Mabo judgement, a perception fuelled in part by Reynolds himself. In the postscript to the book’s second edition, published in 1992, soon after the Mabo decision was handed down, he wrote:

[T]he court had clearly absorbed the lessons about Australian history embodied in the new historiography of European-Aboriginal relations that had been written over the previous twenty years. Law and history now coincided in the view that the Aborigines were not dispossessed in an apocalyptic moment in 1788 but in piecemeal fashion over a long period of time.

On 25 April 1984, 300 people attended the dawn service at Gallipoli. In 2000 there were 15,000, many of them young Australians. In recognition of his renewed interest, Patrick Carlyon (who was at the 2000 service) has written The Gallipoli Story. Looking beyond the well-known Anzac heroes and stories, Carlyon takes us into the trenches and introduces us to individuals: young men with names and hometowns, with sisters and girlfriends; young men who are afraid and confused. The shocking waste of life, as soldiers from both sides charge to their deaths, can make for uncomfortable reading, but Carlyon has refrained from gratuitous violence. It is one thing to have hundreds of dry facts and statistics at hand, quite another to weave these facts into an engaging story. Carlyon has managed it superbly.

Much young adult fiction is about not fitting in. How that topic is covered distinguishes the hack from the frustrated pedant and the gifted writer. This review covers eight YA novels by skilful writers whose diverse works are peopled by those who refuse to fit the norm.

It is difficult for non-Aboriginal novelists to deal adequately with Aboriginal experience in their work. There are many reasons for this, not the least of which is general ignorance about Aboriginal experience. But another, more insidious, reason is self-censorship. The politics of speaking in an Aboriginal voice, if you’re not Aboriginal, is at best fraught and at worst a nightmare. Thinking twice before embarking on such an ‘adventure’ is no bad thing, a counter-balance, perhaps, to the days when it was all too easy to usurp an indigenous point of view, days of racist triumphalism or paternalist do-goodism.

Not since Henry Parkes has New South Wales had such a literary-minded premier as Bob Carr. Parkes published his own poems and wrote two earnest volumes of autobiography. Carr, so far, has tried his hand at a novel, a memoir and a diary, as well as writing lots of occasional pieces. Carr, like Parkes, was a journalist before becoming a professional politician. Parkes, too, dragged himself from humble beginnings to a position where he could use official letterhead to arrange meetings with those he admired. Carr has sought out writers such as Norman Mailer and Gore Vidal to autograph his copies of their books and to join him at dinner. Once established, Parkes’s main aim was to stay in power. It was his only source of income, so his manipulation of factions, policies and the electorate all focused on that end. Graham Freudenberg has said of Carr: ‘Labor politics is central to Bob’s identity … if you took the politics away from Bob there would be nothing much left.’ But unlike Carr, Parkes did not have the option of moving to federal politics (he died before 1901). After Federation, NSW politics was stripped of talent as its leaders, including Edmund Barton, William Lyne and George Reid, made the move. Reid, a long-serving and highly effective NSW premier, is one of only two state premiers ever to have succeeded in becoming prime minister, the other being Joe Lyons.

Imaginative grandfathers and European cityscapes dominate in these books, with all the protagonists having creative ways of seeing, just like their creators. When Suzy, in Grandpa’s Gate, falls down the thirteen steps from her house, what is needed is a gate for the top. So Grandpa welds a special one, with an owl, a moon and stars – ‘all sorts of extraordinary bits of his own’. It’s practical, but interesting at the same time. Then Suzy and her family move away and don’t see Grandpa for years, until, lonely and confused, he comes to live with them. But Suzy has an idea: in the garage is her old gate. Together, she and Grandpa paint, rehang and weld more birds to go with it.

Edmund Campion’s latest book, Lines of My Life, is an elegant hybrid, part meditation, part gossip (of edifying kinds), part political testament. Its genial tone is suggested by the source of the title, which comes from Psalm 16: ‘the lines of my life have run in pleasant places’. Not that this is at all a self-satisfied book. Campion begins his ‘Journal of a Year’ in New York in September 2001. He had gone there to conduct research on Thomas Merton, an American monk and writer. This took him to the great public and university libraries of the city. In one of the moments when Campion pauses to praise, he says that ‘libraries are our richest cultural asset, their custodians singular servants of our intellectual lives’.

The beauty of reading is that you can experience other people going outside their comfort zones with-out apparently leaving your own. This collection of novels, while varied in subject matter, genre, and age appeal, is similar in that they all present the reality of feeling unsafe in one way or another.