Museum

With the centrepiece of its glorious Edmund Blacket building and its noble quadrangle, the University of Sydney is Australia’s oldest and grandest institution of higher learning – an adornment both to its city and to the nation since its foundation in 1852. Less well known, even in Sydney, is that the university is home to a remarkable accumulation of cultural and scientific treasures – some seven hundred thousand artefacts and objects – held within its museums and collections: the Nicholson and Macleay Museums, the University Art Gallery, the rare books collection of the Fisher Library and university archives, and numerous faculty-based research collections.

This book consists of sixteen essays based on papers delivered at the symposium of the Australian Academy of the Humanities held in Hobart in 2004. The title of the book was the theme of the symposium. A conference must have a theme, of course, or no one would ever fund the participants, but individual speakers do not always address it, or they do so tangentially. We have all been at conferences where the relationship of the speaker’s paper to the theme is the same as that between the ugly sisters’ feet and Cinderella’s dancing slipper – a great deal of stretching and contorting to make the text fit the theme, and vice versa. This is why conference proceedings rarely make good books.

A book we have all been waiting for, a history we have all needed, should be assured success. In the Australian museum world, such a publication should garner acclaim, yet this review will fail to deliver the praise it anticipates. My lack of enthusiasm is not because the editors have failed to do a good job. In fact, they have brought together a wide-ranging series of essays that fascinate and illuminate just as one might wish. Telling the story of the Museum’s complex history, from its foundation in 1880 as the Industrial, Technological and Sanitary Museum, which became the Museum of Applied Arts and Sciences in 1950 and, in 1988, the Powerhouse Museum, Yesterday’s Tomorrows captures the changing times and purpose of the institution.

Forgotten histories and lost objects of Australia: this is a five-star title for a three-star book of essays. Several of the essays are slight and pedestrian, and overall the subject of gold gets a patchy treatment; the contributors write about their specialties and we are not given much help to reach a new understanding of the whole phenomenon. But there is much that is interesting here; and some of the material is arresting. The editors have fulfilled their modest intention – ‘to illustrate, amplify, complicate or update’ well-traversed themes.