Helen Ennis
The other day, in a stairwell within the National Library of Australia, I opened a door, expecting it to lead to a corridor and a suite of offices. Instead, I found myself inside a dimly lit room filled with rows of book-laden shelves. As I looked for the exit, I saw a man removing a book from the bottom shelf. Another man walked past me carrying books and said hello. It was like a scene from Being John Malkovich, surreal and delightful, and it characterises my last few months at the National Library, where I have been curating a two-part exhibition, In a New Light: Australian Photography 1850s–2000 (the first part, which deals with the processes of colonisation, opened on 9 October 2003 and will close on 26 January 2004, and the second, focusing on modern life, will open next August).
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