A conversation is an interactive exchange usually of a spontaneous nature. Janet Hawley’s essays are a mix of journalistic intention, conversational ruminations, observations, enquiries, and a gentle goading of her subjects about the ‘twin crucibles’ of creativity – the personality of the artist and what occurs in his or her sanctum, the studio. Assuming the role of confessional nursemaid and curious witness, Hawley profiles more than thirty successful artists, grand old men and women of the art world, explorers of real and psychological terrains, and deceased enfants terribles. These ‘conversations’ make unexpectedly compelling reading.
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