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Australian Poetry

A day spent scratching civilisation’s sores –

Amnesty calls for Urgent Action;

a ministerial mouth, mean as a steel trap

closes another deluded seeker of asylum

behind barbed wire; civil liberties

are spooked by terror; girl children

trafficked to sexual servitude –

and I’m spent too. Not even that trusty spur,

the great-grandmother of my children

dead in another camp, another winter, another story,

can prick this chilled indifference to bleed –

although my mind’s rubbed raw, my heart

is dry as yesterday’s crusts.

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By the filling station on La Cienega a burger joint

somehow survives. This Sunday morning

a pink Thunderbird sags at the kerb,

and an old Studebaker, paint flaking.

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Bowed from the supermarket, a week’s rations

      jumbling the plastic, I saw in shadow

my dead father. He crept the pavement, burdened

     as I am not by a lost country.

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He meets a man with an icicle voice

who says it is ‘Mind’s disease’

to act impulsively; this man elevates

‘Reason’ to a pedestal, where he worships

at a cold, stony chiselled face, from afar

(& sometimes Peter sees him go up close, to peer,

at something old, cold, & slushy, underneath it –

which, he tells Peter, is a high I.Q.-ed

pickled brain, in a jar).

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Stephen Edgar’s fifth volume, Lost in the Foreground, is a book of marvels, both technically and in the elegant, magisterial reach of its content. He is wonderfully inventive, and his complex rhyme schemes and forms are achieved with such precision and finesse that one can only conjecture as to how long each piece must have taken to become so lovingly and artfully realised.

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Mangroves by Laurie Duggan

by
April 2003, no. 250

Poems are like mangroves. They lodge and grow in the mind, becoming part of us, just as these plants take root in estuarine silt. Even on the page, there is sometimes a resemblance. As its title suggests, Laurie Duggan’s first volume since New and Selected Poems (1996) is substantially a product of his recent move to Brisbane, containing a large section of poems coloured by references to the city’s subtropical conditions. However, Mangroves also brings together varied material that dates from 1988 to 1994, some of which – notably the ‘Blue Hills’ sequences – has been published elsewhere.

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The history of emancipation.

Overtaken, riding uphill.

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You might expect a book of eighty-eight new poems by Les Murray to be sizeable (most of his recent single volumes run to about sixty poems each). But Poems the Size of Photographs is literally a small book, composed of short poems (‘though some are longer’, says the back cover) ...

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In living there is always
the terror
of being stung

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It may seem somewhat odd that I, a racketeer and gangster, was suspected of making Cuba a safe place for the National Bank. But having made such an impression with my reports, prophecies and ancillary publications that the Federal Government, aided by a sycophantic mass, had declared me likely to generate flippers, I can see why I might have been a plausible suspect – the crime, after all, was committed by sea.

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