Christopher Menz
Christopher Menz is a former Director of the Art Gallery of South Australia. He has published on the design work of William Morris and Edward Burne-Jones, and is a regular contributor to ABR.
Amid all the hoopla surrounding the centenary in 2019 of the Bauhaus – naturally more pronounced in Germany – it is gratifying to see such a fine Australian publication dealing with the international influence of this short-lived, revolutionary art and design teaching institute. Bauhaus Diaspora and Beyond – written by Philip Goad, Ann Stephen, Andrew McNamara, Harriet Edquist, and Isabel W ... (read more)
This year is huge for the Opéra National de Paris. It celebrates the 350th anniversary of the founding of Académie Royale de Musique in 1669, the thirtieth anniversary of the inauguration of the Opéra Bastille in 1989, and the 150th anniversary of the death of Hector Berlioz. Les Troyens (The Trojans) opened the 1990 season at the Bastille, so it was fitting that a new production, directed and ... (read more)
Sir Edward Coley Burne-Jones, Baronet, (1833–98) to give him his full entitlement, is an artist who polarises people. Some relish his otherworldly and imaginative narrative subjects, the rich and saturated palette, the sumptuous decorative surfaces. Others respond in the same way as one of the ‘vivid young moderns’ overheard by artist Robert Anning Bell. At the mere mention of Burne-Jones’ ... (read more)
Grant Featherston (1922–95), the most prominent and successful furniture designer working in postwar Australia, is noted for his moulded, upholstered plywood modernist chairs from the 1950s, which combined comfort and style and which resembled work by Charles Eames. Featherston’s importance as a designer is well known: he was the subject of a retrospective exhibition at the National Gallery of ... (read more)
Rayner Hoff, the most significant sculptor to work in Australia between the wars, is most admired for his sculptures in the Anzac war memorials in Sydney and Adelaide. His work was in the classical figurative tradition in which he had trained. While never part of the international avant-garde, he remained modern for his era and adapted to the idiom of art deco. Hoff’s work is known to all Austra ... (read more)
Of all Richard Wagner’s operatic works, it is Parsifal that divides audiences most. As with the Ring, its ambiguity lends itself to multiple interpretations. The music has been praised and admired by the greatest of critics and musicians, including those who heard it when it was new: Mahler, Sibelius, Berg, Debussy, George Bernard Shaw. It is the text, drama, and characters, the overblown religi ... (read more)
Canadian-born pianist Angela Hewitt is well known to Australian audiences through her regular visits and her memorable performances and recordings of Johann Sebastian Bach’s keyboard repertoire. Her legendary performances of Bach, encompassing superb playing and thoughtful and considered interpretation, have demonstrated how successful harpsichord music can sound on the modern instrument. While ... (read more)
The Oxford Companion to Cheese is an impressive undertaking with masses of fascinating and informed writing, and many illustrations on a delicious subject. It takes us from the origins of cheese – seventh millennium BCE – to the most recent technological developments. The scope is broad: as Catherine Donnelly notes in her introduction, there are 325 contributors from thirty-five countries (tho ... (read more)
Two very different touring exhibitions are showing in Canberra this summer.
A History of the World in 100 Objects, from the British Museum at the National Museum of Australia, tells a two-million-year story through works from the collection of the British Museum. It is based on former BM Director Neil MacGregor’s highly successful 2010 BBC Radio series and book of the same name.
The touring ve ... (read more)