Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Gabriella Coslovich

Rachel Spence’s Battle for the Museum reflects a growing movement to redefine the art museum as a site of activism   and social change that has gained momentum in the United States and Britain around issues of race, equity, and diversity. Advocating the need for radical transformation, Spence paints an insistently bleak picture of art museums, recording their multiple failings on social, ethical, and political fronts. Forty pages in, this reader was already battle-weary, worn down by Spence’s thudding compendium of sins. That’s not to dismiss the validity of Spence’s arguments. The sector’s expansionist, exploitative, discriminatory, and profit-hungry urges warrant interrogation.

... (read more)

To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites. 

... (read more)

What Matters?: Talking value in Australian Culture by Julian Meyrick, Robert Phiddian, and Tully Barnett

by
November 2018, no. 406

As I sat down to write this review, a media release popped into my email inbox with the excited news that more than 400,000 people had visited the National Gallery of Victoria’s MoMA exhibition over its four-month duration, making it the NGV’s ‘second most attended ticketed exhibition on record ...

... (read more)

It was the late Robert Hughes who said that ‘apart from drugs, art is the biggest unregulated market in the world’. Journalist Gabriella Coslovich quotes him in her account of the 2016 Whiteley art fraud trial, repeating the line to one of the accused, art dealer Peter Stanley Gant, as he complains to Coslovich about the ramping ...

... (read more)