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Recently, New South Wales had its fifth election since 1988 in which shrill law and order promises – tougher sentencing, more police, and the like – constituted the most prominent feature of the major parties’ campaigns. During those fifteen years, NSW witnessed its biggest prison-building programme in more than a century and a rise of more than fifty per cent in its prison population. An obvious lesson is that prison-building programmes and rising criminal justice expenditures do not reduce crime or enhance feelings of public safety and confidence in legal institutions, and that those who argue otherwise are chasing phantoms. Yet the terms of political discourse around law and order seem to be impervious to the facts. What would commonly be taken as incontrovertible evidence of the failure or limits of a policy in other areas yields more of the same in relation to crime control, such is the treadmill of penal populism.

After only four annual volumes, The Best Australian Essays has reached the point where the law of increasing expectations begins to kick in. By now the series has done so much that we want it to do everything. Speaking as an Australian who lives offshore, I would be well pleased if each volume could contain, on every major issue, a pair of essays best presenting the two most prominent opposing views. This would give me some assurance that I was hearing both sides of the national discussion on each point, despite my being deprived of access to many of the publications in which essays, under one disguise or another, nowadays originate. (I leave aside the probability that most Australians living in Australia are deprived of access, too, the time having long passed when any one person could take in all the relevant print.) But the editor, Peter Craven, could easily point out that my wish is a pipedream.

Hannah Arendt pronounced the Eichmann trial a ‘necessary failure’; it dramatised historical trauma but revealed, fundamentally, a narrative insufficiency. The gap between testimony and history, between jurisprudential protocols and the all-too-human and inhuman complexities of murder, left behind anxieties of incomprehension, reduction, and representational limitation.

Anyone who remembers the amiable host of the ABC’s television show Backchat, which he compèred for eight years from 1986, will not be surprised to learn that Tim Bowden has written a breezily readable memoir. Its pages seem to turn of their own volition. In the foreword, Maeve Binchy daringly asks: ‘Who are the right people to do a memoir?’ Actually, it’s probably not so daring, as Binchy had no doubt read Bowden’s chronicle and knew he qualified as one of the ‘right people’. Two criteria leap to mind. The writer needs to exhibit a character and personality you’d be happy to keep company with for 300 or so pages. In addition, the reader – this one, anyway – wants a complementary sense of the times of the life in the foreground.

John Scott began his publishing life as a poet of considerable distinction (albeit as John A. Scott, as the second edition of The Oxford Companion to Australian Literature will not let him forget) and then changed brumbies in midstream to publish pure prose. Between 1975 and 1990 Scott delivered eight volumes of poetry; since then (there is a slight overlap), he has released five ‘novels’ (pardon nomenclatural nerves), if we include the present Warra Warra.

If we lived in the kind of country – and there are some – where people not only chose their presidents but chose as leaders poets, philosophers and novelists, a new novel by Brian Castro would be a sensation, even a political event. Students would be hawking pirated copies, queues would form outside bookshops, long debates would steam up the coffee shops, and the magazines would be full of it. Alas, China and Australia from the 1930s to the 1960s, where Castro takes us in memory, were not such places then any more than they are now.

Important political issues sometimes cut across traditional party lines, making it harder for us to confront and debate them. The ‘children overboard’ affair, for example, raised important questions about the relationship between public servants and their ministers. Some of these questions were blurred in the subsequent debate, however, for a simple reason. Since the 1970s, governments from both sides of politics have had, in effect, a common policy of restricting the independence of the public service, especially of heads of departments, in the name of accountability and responsiveness. Ministers now have departmental secretaries who can be dismissed for no stronger reason than that they have lost the minister’s confidence. The powerful mandarins who, it used to be said, ruled Australia from the lunch tables of the Commonwealth Club in Canberra are a distant memory. Political influence now affects appointments down to middle managers in ways that those mandarins would have thought totally improper.­­­

Val Plumwood, the author of a highly praised defence of eco-feminism, Feminism and Mastery of Nature, presents in this book a critique of ‘rationalist culture’ and explains why it harms nature as well as so many people. Plumwood’s criticism of rationalism centres on the thesis she advanced in her earlier book. From Plato onward, it has been regarded as rational to divide the world into polarised and homogeneous conceptual categories (reason/emotion, culture/nature, spirit/matter, masculine/feminine) and to regard things falling under the first term of these dichotomies as superior to those belonging to the second. This way of thinking, Plumwood argues, has given rationalists a licence to ignore the needs of beings deemed to be inferior – to dominate and exploit them for the sake of their ‘superiors’. In particular, it has been used to justify the domination of nature and of women.

‘He looks a bit like Marty Feldman with two good eyes.’ So wrote a journalist of Geoffrey Blainey in 1977. In The Fuss That Never Ended, a collection of essays on Blainey arising out of a Melbourne symposium, Bridget Griffen-Foley no less irreverently compares the historian to a character played by Steven Seagal in a movie she saw on television – not because he shares Seagal’s ‘fake tan, ponytail, high-pitched voice, rippling muscles, kickboxing prowess or lurid, technicolour knee-length leather coat’, but because of his ‘style of investigation’ as a young historian. Blainey, she suggests, was neither bookworm nor archive rat. He went into the field, spoke to real people, visited historical sites. His work even helped his first employer, the Mount Lyell Mining and Railway Company, to exploit long-forgotten mineral deposits. Since producing his history of that company in his early twenties, he has been Australia’s leading mining historian, and one of that industry’s staunchest defenders. It has probably been easier for most people to swallow Blainey’s historical and economic arguments in favour of mining than Hugh Morgan’s biblical ones.

Stephen Edgar’s fifth volume, Lost in the Foreground, is a book of marvels, both technically and in the elegant, magisterial reach of its content. He is wonderfully inventive, and his complex rhyme schemes and forms are achieved with such precision and finesse that one can only conjecture as to how long each piece must have taken to become so lovingly and artfully realised.