In his Keepers trilogy, Philip Salom is an Eliotian Fisher King, exploring the fissuring of identity in a triple play of plurality. The first book, Keepers (2010), was written by Salom, but authorship of The Keeper of Fish and Keeping Carter is attributed to Alan Fish and M.A. Carter,respectively. In his role as editor for these two poets, Salom becomes their gatekeeper or, as he states, their ‘amanuensis, editor, mentor and promoter’.
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