Graeme Hetherington
In this episode of Australian Book Review's States of Poetry podcast, Graeme Hetherington reads his poem 'Avila' which featu ...
Bill And Gwen
In Swiftian mood, insisting that
The human race would never learn,
Was hopeless, doomed, Bill Harwood, pure
Logician and philosopher,
As well as spouse of poet Gwen,
Proposed a universal ban
On sex to end our sorry ways
And brought our threesome's talk on how
The world was going to a halt
Of the socially awkward kind.
States of Poetry 2016 - TAS | 'Learning to Know One's Place' by Graeme Hetherington
Learning To Know One's Place
(For Gwen Harwood And James McAuley)
'Hello Graeme, old love, it's Gwen,
I'm sitting on a cloud too fine
For jealousy to let you see.
But please believe your ears as I
Exhort you not to bow to age,
To keep tramping around in search
Of at least one poem that will be
As sure of fame as all mine are ...
For Bill Harwood
A theorist of the purest kind,
Your lectures had no human warmth
And faded like a day-time moon.
The crueller said 'cloud-cuckoo land'
And loudly tapped their hollow heads.
Some thought you clinically disposed,
Contemptuous of eveything
Except the symbols on a page,
Myself included till you said
With gr ...
States of Poetry 2016 - TAS | 'Upper Heights and Lower Depths' by Graeme Hetherington
Upper Heights And Lower Depths
What heights remain beyond our reach
When dog whistle and tuning fork,
Straining to listen though we may,
Sound notes pitched too high for our ear,
Deserting us yearning to rise,
Freed from the confines of our lives?
Nor can we hear how far below
The scales a crow's cawing might go,
Summoning t ...
Avila
(1)
The badly wounded and the poor
Move round the city with the sun
And little else to keep them warm,
While time softens cathedral stone,
Plucks eagles bald and breaks the wings
Of St Teresa's doves in flight.
(2)
A fine day shows up broken teeth,
Club feet, ten thumbs and squinti ...
A Tasmanian Paradise Lost by Graeme Hetherington & Other Gravities by Kevin Gillam
John Foulcher’s The Learning Curve is a sequence of poems set in a fictional school called Saint Joseph’s. The ancient chestnut in which a mother’s attempts to get her son off to school are met with a lot of sulking about the pointlessness of the work and the nastiness of the children – to which she responds that as the school’s headmaster he really has to go – feels peculiarly appropriate: neither the students nor the teachers particularly want to be there. Using mainly dramatic monologues, Foulcher paints a depressing picture of a school where professional disappointments, an inept and religion-infested staff, and a general air of mutual loathing combine to produce what amounts to a psychological tragedy (with some physical tragedies thrown in for good measure). Sometimes it’s as if Joyce Grenfell’s scripts tenderly mocking English schoolmistresses have been violently revised by a Writer in Residence at the proverbial School of Hard Knocks.
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