A lot can change in a few years. In March 2020, on the eve of the Covid-19 pandemic, I wrote a review essay for ABR about the proliferation of trans and gender diverse (TGD) life writing. Back then, the most notable examples came from overseas, and – with the exception of established names like ABC’s Eddie Ayres (now Ed Le Broq), author of the 2017 memoir Danger Music – major Australian publishers had yet to take a chance on local trans voices.
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