Lauren Arrington

What then? sang Plato’s ghost.’ Editors Lauren Arrington and Matthew Campbell begin their Preface to the massive Oxford Handbook of W.B. Yeats with the poet’s own injunction to old age. And what a life it was: seventy-three years lived over two world wars; a mammoth literary oeuvre criss-crossing Victorian melancholy, Romantic sublimity, and Modernist apocalypse. At different times and sometimes simultaneously, Yeats was a bohemian raconteur in the Cheshire Cheese pub, a radical nationalist leader of the Irish Revival, a cosmopolitan disciple of the occult, and a waspish senator enraged by the philistinism of the Irish Free State.

How best to tell the history of literature? – a long, chronological survey tracing broad arcs of development, or as a tight focus on a single, transformative year? The dedicated study of a single writer’s life, or the story of a movement, of several writers brought together for a time by some common cause? In recent years, the history of modernist literature has enjoyed these and other treatments. In Poets and the Peacock Dinner: The literary history of a meal (2014), Lucy McDiarmid takes as her subject a single evening: a dinner, held in West Sussex on 18 January 1914, in honour of the poet Wilfrid Scawen Blunt and attended by six other poets, including W.B. Yeats and Ezra Pound. That famous evening serves to focus a wide-ranging discussion of literary friendship and romance, collaboration and rivalry.