Have you ever noticed how boxing matches invariably deflate into two breathless people hugging each other? In pugilistic parlance, this is called a clinch. It is a defensive tactic, a way for fighters besieged by their opponent’s assault to create a pause and regain their equilibrium. And while it is beyond cliché for books to be hailed as knockouts or haymakers or other emptied expressions of ... (read more)
Alex Cothren
Alex Cothren is an Associate Lecturer in Creative Writing at Flinders University. He is a winner of the Carmel Bird, William van Dyke, and Peter Carey Awards for short fiction, and he has writing published in Meanjin, Island, The Griffith Review, Ruminate, and Australian Book Review. He is the co-editor of Westerly’s South Australia Special Issue.
One of the few details we learn about the unnamed narrator of Ronnie Scott’s début novel, The Adversary, is that he is fond of Vegemite. Although only a crumb of information, this affinity for the popular breakfast tar reveals much about our hero. Just as Vegemite ‘has to be spread very thin or you realised it was salty and unreasonable’, his human interactions give him a soupçon of a soci ... (read more)
Care and compassion, a fair go, freedom, honesty, trustworthiness, respect, and tolerance. These were the nine ‘Australian values’ that former Liberal Opposition Leader Brendan Nelson demanded be taught in schools, especially Islamic schools, across the nation in 2005. How? Partly through the tale of John Simpson and his donkey, Murphy. They clambered selflessly up and down Gallipoli’s Shrap ... (read more)
Boat, pub, boat, pub, boat, pub: in the fictitious Western Australian fishing town of Stark, residents divide their days between these two brutally masculine locales, and readers will be hard-pressed to decide which is bleaker. Is it the crayfish boat, with its ‘pong of bait’ and ‘hostile company of the breeze’, or the rural tavern, where ‘the trebly call of dog racing’ soundtracks the ... (read more)
Jack Kerouac spent his elderly years sequestered in a crumbling Mexican hacienda that 'smelt like beer and farts'; his amphetamines replaced with antacids, his octogenarian skin 'the colour and texture of beef jerky'. Never mind that Kerouac actually drank himself to an early death in Florida, because somehow this alternate universe, the starting point of Lynnette Lounsbury's second novel, We Ate ... (read more)
Not a year passes without someone claiming to have stumbled upon the legendary Tasmanian tiger. A flash of stripes, a tawny blur, strange paw prints in the mud; are these genuine sightings or mass hallucinations suffered by a populace whose grief for the extinct icon is stuck in a state of collective denial? 'Tassie loves the tiger now ... this entire country is going to be saying sorry forever'; ... (read more)
During World War II, billeted Axis POWs were deemed such a threat to the morals of British women that theBritish government enacted legislation proscribing amorous fraternisation. Although these laws were rescinded in the conflict’s aftermath, Jo Riccioni’s début novel demonstrates that the appeal of the foreigner endured, as a family of Italians arrive to disrupt the postwar calm of Leyton, ... (read more)
Late in his first collection of anecdotal short stories, Luke Carman’s narrator, also named Luke Carman, realises that the magic in a book he loves, Jack Kerouac’s On the Road, cannot be replicated in his own life. He is stuck in Australia, and ‘Australia is not the place for ecstatic truth.’ Stuck, to be precise, in Sydney’s western suburbs, depicted as an uncultured wasteland of ‘hig ... (read more)