Charles Bernstein, born in 1950, is a prolific poet and theorist of Language poetry, which arose in the 1970s in the wake of the anti-Vietnam War movement (or the American War, as the Vietnamese call it). As with similar movements in many countries, including Australia, this now semi-institutionalised poetry began as radical revolt against an established verse culture that preferred its poetry to be an easily palatable, Inauguration-worthy commodity. Instead, Bernstein and his colleagues variously practised a ‘multi-discourse text’ that chipped away at the boundary between poetry and critical theory. ‘Poetry is the aversion of conformity,’ Bernstein writes in an early essay, rephrasing Ralph Waldo Emerson. It is a site of perpetual enquiry rather than the expedient repose of fixed meaning.