It is a cliché of the operatic world that all members of the chorus are frustrated or failed soloists. The traditional operatic pathway frequently emerges from the chance discovery of a singing voice with potential, followed by an exploration of opportunities to develop this as yet untapped ability. This usually means enrolment in a university vocal program, sometimes followed by postgraduate degrees. In the past, this was not always the case with many instances of highly renowned singers being ‘discovered’ under the most unlikely circumstances while pursuing very different occupations, often with limited or no musical training.
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