Paul Dalgarno’s fiction début, Poly, charts a romp through the romantic and sexual lives of married couple Chris and Sarah Flood. When the sexual intimacy in their relationship dies, Sarah opts to sleep with, as Chris describes it, ‘all but the worst of Melbourne’s walking wounded’, and takes her woebegone husband along for the proverbial ride. A reluctant Chris eventually finds his polyamorous feet with the understanding artist Biddy. True to the logistics of polyamorous lives, almost the entire book is in the form of communication – either conversations between lovers and friends or Chris’s internal machinations (the story is told from his perspective). Indeed, Poly might well be a masterclass in how to write dialogue.
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