Michael Halliwell reviews 'The Rabbits' (Opera Australia/Barking Gecko Theatre Company)
Australia is being overrun by a rabbit phenomenon, but not of the annoying, four-legged variety. It’s The Rabbits: the opera, the musical, the song cycle, or what? Does it matter?
Premièred to highly positive reviews at the Perth Festival in February this year, it has now reached the Melbourne Festival. Some have seen in the success of this work the possible salvation of opera in Australia, but it is too early to say whether the piece might be the harbinger of new works that successfully straddle the generic divide between opera and musical theatre. There are many works that sit somewhat uneasily on the fence between the two genres: Leonard Bernstein’s Candide is a work that garnered much critical acclaim when first performed in 1956, as well as a rather less effusive reception from many in the operatic establishment. Bernstein’s music was described sniffily by some as a pastiche of musical styles, and he does incorporate a wide range of different musical idioms to suggest Voltaire’s eighteenth-century setting. Candide’s performance history is a study in the almost continuous re-working and even re-imagining necessary to find the final form it might take.
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