Anthem
Conversations on a train, scene one: we’re on Eurostar and a white woman and a black man, both young, begin to talk. We know immediately that they are middle-class and have prospects; the clothes and reading matter proclaim it. He identifies himself as an Australian resident in France; she’s an English student.
They speculate: is the delay due to a protest by the Gilets jaunes? A refugee on the line? Those yellow vests are protesting against austerity, says the man, with a dash of sympathy. They’re populists, not to be trusted, a bit like the Brexiteers, she responds. The Brexiteers were also voting against austerity, the loss of jobs, loss of community, he argues. The Brexiteers are racist, anti-migration, white xenophobes in the grip of nostalgia for a past that never existed, she responds. No, he counters, ‘that’s too simplistic, that’s just hashtag politics. That response evades the question of class.’
Continue reading for only $10 per month. Subscribe and gain full access to Australian Book Review. Already a subscriber? Sign in. If you need assistance, feel free to contact us.
Leave a comment
If you are an ABR subscriber, you will need to sign in to post a comment.
If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.