Die Walküre
Richard Wagner’s famous pronouncement, ‘Kinder, schafft Neues!’ (‘Children, create something new!’), has often been the inspiration to take daring creative risks, particularly (but not exclusively) with productions of his works. Using The Ring as a starting point, directorial licence has been extended in all sorts of intriguing ways that have, over the years, seen Valkyries roaring around on motorcycles, Rhinemaidens as strutting Victorian doxies, the dragon Fafner at the turret of an army tank, Wotan as a Texan oligarch, Siegfried as a hippie, and Gunther and the Gibichungs as Nazis.
Continue reading for only $10 per month. Subscribe and gain full access to Australian Book Review. Already a subscriber? Sign in. If you need assistance, feel free to contact us.
Comments (3)
Melbourne Opera. Perfect.
Regards Christine Malcolm
Sydney
Leave a comment
If you are an ABR subscriber, you will need to sign in to post a comment.
If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.