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Australian World Orchestra

A combination of telepathy, instinct, and love
Australian World Orchestra
by
ABR Arts 05 September 2022

Australian World Orchestra

A combination of telepathy, instinct, and love
Australian World Orchestra
by
ABR Arts 05 September 2022
Australian World Orchestra (photograph by Prudence Upton)

To place the Australian World Orchestra (AWO) in a truly global context, and before I deal with last Wednesday night’s triumphant concert in Hamer Hall, I must briefly expand my terms of reference.

Only a week or so ago, before this concert, the orchestra and its conductor, the great Zubin Mehta, were in Britain. On 19 August, they played at the Edinburgh Festival with a challenging program: Webern’s Passacaglia and 6 Pieces; Debussy’s Ariettes Oubliées, (orchestrated by Brett Dean, who, viola to hand, was also on the platform), with Australian soprano Siobhan Stagg; and Dvořák’s Symphony No. 7. Four days later, they were in London, at the BBC Proms in the Royal Albert Hall, repeating the Webern and Debussy, but substituting Brahms’s Symphony No. 2. This fine and moving concert can be heard on the BBC Sounds website.

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