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Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. To read ABR Arts articles in full, subscribe to ABR or take out an ABR Arts subscription. Both packages give full access to our arts reviews the moment they are published online and to our extensive arts archive.
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Recent reviews
The Secret World of Annette Robinson by Paulette Gittins & Percussion by Jay Verney
So Monstrous a Travesty: Chris Watson and the world's first national labour government by Ross McMullin
Proof & Truth: The humanist as expert edited by Iain McCalman and Ann McGrath
The President of Good & Evil: The ethics of George W. Bush by Peter Singer
with its east-facing rifts and cliffs
were visible; as though the full-bodied waves
that blow over it, freighted with kelp,
tidewood, and the bloated bodies
of dead seals were thermals,
sideways tracking and printed with spirals
that mark a slow convergence
of warm and nutrient-rich, cold water. ... (read more)
galah world, this is not wordplay, or deathpuns,
until the sun goes down, shocker, blood-letter,
hit and run make-over, splatterfest and gore show,
a ‘laugh-a minute’ partner wandering about in a daze, ... (read more)
Straight roads, built for driving fast.
You get out of winter in a day.
These paddocks so like thoughts you travel past,
strung out beside your asphalt purpose.
You get out of winter in a day.
Cattle fat as history watch you pass,
strung out and beside your asphalt purpose
in these vast effects of corroded light.
Made ghosts in all their country’s wars
they come, the young men in my dreams
with shattered skulls, intestines trailing
in the sand, the mud, the stuff the TV doesn’t
show unless it’s Africa. Or someplace else where
colour doesn’t count, democracy a word
they carted like a talisman, a passport
to the candles, bells of sainthood.
How do you bury a poet?
Surely not
how they buried Baudelaire
thrown in with his parents
like an infant death.
It stretches
to a ghastly irony
Pasternak’s remark
that poets should remain
children.