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Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. To read ABR Arts articles in full, subscribe to ABR or take out an ABR Arts subscription. Both packages give full access to our arts reviews the moment they are published online and to our extensive arts archive.
Meanwhile, the ABR Arts e-newsletter, published every second Tuesday, will keep you up-to-date as to our recent arts reviews.
Recent reviews
Australia’s Democracy by John Hirst & The Citizens’ Bargain edited by James Walter and Margaret Macleod
To the Islands by Randolph Stow & Tourmaline by Randolph Stow
Broken Song: T.G.H. Strehlow and Aboriginal possession by Barry Hill
Crime of Silence by Patricia Carlon & The Unquiet Night by Patricia Carlon
The Commonwealth of Speech: An Argument about Australia’s Past, Present and Future by Alan Atkinson
Radical Students by Alan Barcan & The Diary of a Vice-Chancellor by Raymond Priestly (ed. Ronald Ridley)
Archie Fusillo
The following books manage to avoid patronising their intended audience by eschewing proven ‘age-appropriate’ characters and/or sanitised versions of contemporary issues inserted into formulaic plots. Finding Grace (Allen & Unwin), by Alyssa Brugman, balances pathos and drama in telling the story of a young woman, Rachel, who discovers the real meaning of heroism and personal strength when she leaves university to care for car accident victim Grace. Wildlight (Penguin), by David Metzenthen, weaves historical detail, an ear for dialogue, and a keen sense of adventure into a clever story of self-discovery by his illiterate protagonist Dirk Wildlight. Ian Bone’s The Song of an Innocent Bystander (Penguin) grips the reader with the force of its moral and ethical dilemma, while never straying from being a probable story set in a world that is becoming less and less predictable.
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