Josephine Rowe
Film | Theatre | Art | Opera | Music | Television | Festivals
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In today's episode, Josephine Rowe – winner of the 2016 ABR Elizabeth Jolley Short Story Prize – reads a new short story, 'Bunker', which appears in the June issue of ABR. Josephine has published three short story collections and a novel called A Loving, Faithful Animal.
... (read more)The quiet had left me. That’s how I put it, but I meant Maree. Most of her cosmetics abandoned in a swollen-stuck bathroom drawer. Hydrators, anti-aging, complexion correction. Potions, I called them, like an old man describing a woman’s things. A few days after she left I tried them on myself, mostly for the smell of her. Of course they did not correct anything, did not make me beautiful, only streaked me to an unlikely shade – Maree’s – darker and more lustrous than my own. I accepted why she’d gone. She’d made a choice, and it was not the wrong choice – her folks old and susceptible, too proud to see it and too stubborn to budge. Bad reception where they are. Have to climb a hill to make a call. But she never climbs the bloody hill. And her emails, when they come, arrive in business hours.
... (read more)Besides a capacity to write well, critics need to be well-informed. I sometimes get exasperated by reviewers without sufficient expertise in the topics they are considering. On the other hand, academic pedantry can also be off-putting, particularly when couched in a clunky style. In general, I’ve found the most memorable pieces to be those which say something about the reviewer as well as the author under review, like portraits which work through a kind of double vision, offering insights into the painter as well as the sitter. There was a very good essay on Les Murray by J.M. Coetzee in the New York Review of Books a few years ago which had this double-edged quality.
... (read more)
Here Until August: Stories by Josephine Rowe & This Taste for Silence: Stories by Amanda O’Callaghan
Certain days: it is easy to imagine this small, once-prosperous river town (barely distinct from many other small, once prosperous river towns) as if you are only passing through it, shunpiking the thruways in favour of the scenic rural two-lanes on a road trip in your better, your best life. The life in which your formidable boxer-turned-human-rights-lawyer wife has simply pointed to this town on a much misfolded map and declared: Here, lunch.
... (read more)The 2016 Elizabeth Jolley Short Story Prize ceremony was held at the Melbourne Writers Festival on 27 August. The event was compèred by ABR Deputy Editor, Amy Baillieu, with opening remarks from poet and author Maxine Beneba Clarke.