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Recent reviews

Film  |  Theatre  |  Art  |  Opera  |  Music  |  Television  |  Festivals

Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. To read ABR Arts articles in full, subscribe to ABR or take out an ABR Arts subscription. Both packages give full access to our arts reviews the moment they are published online and to our extensive arts archive.

Meanwhile, the ABR Arts e-newsletter, published every second Tuesday, will keep you up-to-date as to our recent arts reviews.

 


Recent reviews

Vale Barry Humphries

by
24 April 2023
Barry Humphries loved telling a story concerning a visit he and the painter David Hockney made to an art exhibition held at the Los Angeles County Museum of Art in 1991. What drew them there was a reconstruction of the Entartete Kunst (Degenerate Art) exhibition the Nazis had assembled in Munich in 1937 to help validate and promote their racial ideology. ... (read more)

Beau is Afraid 

Roadshow
by
24 April 2023
When you wake up from a nightmare, it can feel so vivid, so real – so relevant. But over the following minutes and hours, your brain undertakes the important task of synthesising what your subconscious has subjected you to; it interprets symbols, recognises familiar anxieties, and likely suggests that you refrain from boring everyone you encounter that day with a blow-by-blow account of it all. ... (read more)

Julia 

Sydney Theatre Company
by
17 April 2023

First things first, the audience loved it. As Julia Gillard, in a performance that blended naturalism and impersonation, Justine Clarke held the crowd in the palm of her hand. They swooned and sighed to the wholesome depiction of Gillard’s working-class Welsh parents and cackled at the pleasurable jokes made at the expense of Kevin Rudd, Mark Latham, and John Howard.

... (read more)

Catherine Opie: Binding Ties

Heide Museum of Modern Art
by
11 April 2023

As the self-proclaimed home of Australian modernism, Heide Museum of Modern Art is largely known for its exhibitions focusing on the story of the Heide circle and the interactions between Heide founders and patrons John and Sunday Reed and the group of artists, including Sidney Nolan, Albert Tucker, and Joy Hester (to name but a few), now referred to collectively as the Angry Penguins.

... (read more)

Melbourne Now

National Gallery of Victoria
by
11 April 2023
Melbourne Now began in 2013 as a massive survey championing contemporary art. Ten years on, the National Gallery of Victoria presents the second iteration. As with many sequels, the intent is to be bigger and better. Melbourne Now 2023 styles itself as an extravaganza, an epic journey into the city’s artistic beating heart. ... (read more)

Membra Jesu Nostri 

Pinchgut Opera
by
05 April 2023
It was not so long ago that Dietrich Buxtehude (1637–1707) was best known in classical music circles for the fact that a young J.S. Bach once made a 400-kilometre trek on foot to the North German Hanseatic city of Lübeck to hear him improvise on the organ. ... (read more)

EO 

Hi Gloss Entertainment
by
05 April 2023
There is a boldness to veteran Polish writer-director Jerzy Skolimowski’s latest feature EO, which received the 2022 Jury Prize at Cannes, in that its protagonist is not human, has no lines, but is instead a donkey. ... (read more)
Of all the major operas, Siegfried had the most curious gestation. After completing Act II in 1857, Wagner put it aside for twelve years, ‘as if weary of Siegfried’s progress: this improbable hero’s search for love, fulfilment, individuation’. ... (read more)
One hundred and seventy years after thousands of desperadoes and gold-cravers trekked to a place called Sandhurst, Wagnerites set off to Bendigo on Friday afternoon (in rather more orderly fashion it must be said, along the potholed Calder Freeway) for the opening night of Melbourne Opera’s first full production of Der Ring des Nibelungen. ... (read more)

Broker 

Madman Entertainment
by
27 March 2023
It’s drizzling when an Aimee Mann song plays in Hirokazu Kore-eda’s Broker. You know the one: ‘Wise Up’, the scabrous number that soundtracks a famous sequence in Paul Thomas Anderson’s Magnolia (1999), whose central cast – united by various machinations of fate – sing along in some kind of deranged processional, each character downcast and seeking salvation in Mann’s lyrics. None appears; the track literally ends with the words ‘give up’. ... (read more)