Grace Crowley & Ralph Balson may well get lost in the promotion of other exhibitions at the National Gallery of Victoria, but it is one not to be missed. Charting Crowley and Balson’s artistic journeys from the 1930s to the 1960s and their shared commitment to abstraction, it is an elegant, beautiful show that affords the rare opportunity to experience their work in depth.

These words put the case for and against Paul Gauguin (1848-1903) in a nutshell. Kihara speaks with the authority of a Pasifika, a transgender Japanese-Samoan artist who wittily restaged two dozen Gauguin paintings as colour photographs in her Paradise Camp series. Kihara dressed and posed Fa’afafine – men living and dressing in the manner of women – and her work cements the iconic status of Gauguin’s ‘wonderful’ imagery.

Suzie Miller’s Prima Facie continues its triumphant procession at home and abroad with Black Swan State Theatre’s production in Perth, under the direction of Kate Champion. A hit at its première at Sydney’s Griffin Theatre in 2019 and in post-Covid seasons in Melbourne, Broadway, and the West End (winning the 2023 Olivier Award for Best New Play), not to mention in South Asia and Northern Europe, it now arrives in Perth, where Miller received her first mainstage production (of Dust) in 2014.