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Diane Stubbings

Diane Stubbings

Diane Stubbings is a writer and critic based in Melbourne. Her plays have been shortlisted for a number of Australian and international awards, and staged in Sydney, Melbourne and New Zealand. She has written for Australian Book Review, The Australian, The Canberra Times, and the Sydney Review of Books. Her study of Irish Modernism was published by Palgrave. Diane has recently completed a PhD at VCA, University of Melbourne, investigating intersections between science and theatre.

'The Zone of Interest: Variations on Martin Amis’s novel' by Diane Stubbings

ABR Arts 22 November 2023
In Martin Amis’s novel The Zone of Interest (2014), Auschwitz Commandant Paul Doll asserts that to meet the objectives of the Reich it is necessary to ‘shut down a certain zone of the mind. I must accept that we have mobilised the weapons, the wonder weapons, of darkness.’ Doll is not a man seeking to absolve himself. Rather, he attempts to explain his dilemma, lamenting not so much the mora ... (read more)

Diane Stubbings reviews 'The Wren, The Wren' by Anne Enright

November 2023, no. 459 27 October 2023
In her essay ‘The Irish Woman Poet’, Eavan Boland (herself considered Ireland’s greatest female poet) noted that ‘The life of the Irish woman – the ordinary lived life – was both invisible and, when it became visible, was considered inappropriate as a theme for Irish poetry.’ The only place within poetry for an Irish woman, history seemed to insist, was as either muse or myth. Any hi ... (read more)

'My Sister Jill: Patricia Cornelius’s new play about the legacies of war' by Diane Stubbings

ABR Arts 02 October 2023
Some of Australia’s most enduring plays have dealt with war and its legacy. Alan Seymour’s The One Day of the Year (1960), John Romeril’s The Floating World (1974), Dorothy Hewitt’s The Man from Muckinupin (1979), Kate Mulvaney’s The Seed (2008), and Tom Wright’s Black Diggers (2015) have, each in their own way, interrogated the baptisms of blood upon which much of our national mytholo ... (read more)

'Death of a Salesman: A magnetic production of Arthur Miller’s classic' by Diane Stubbings

ABR Arts 08 September 2023
In his survey of the notebook Arthur Miller kept while writing Death of a Salesman, John Lahr, in Arthur Miller: American witness (2022), relates that early in its composition Miller considered calling the play ‘The Inside of His Head’. Correspondingly, Miller envisioned the stage ‘designed in the shape of a head, with the action taking place inside it’. Miller’s instinct to discard the ... (read more)

'Escaped Alone ★★★★★ and What If If Only ★★★1/2: Caryl Churchill – doyenne of the unspoken' by Diane Stubbings

ABR Arts 14 August 2023
Voices in Caryl Churchill’s plays swell and ripple and surge, but they are an unquiet river in whose streambed is hidden the unspeakable, the incomprehensible. Like Samuel Beckett and Harold Pinter – the two playwrights with whom she is most often compared – Churchill is a doyenne of the unspoken, silences manifesting as much through their presence as their absence. Silence, too, surrounds ... (read more)

Diane Stubbings reviews three new novels

August 2023, no. 456 24 July 2023
British sculptor Barbara Hepworth wrote that ‘there is no landscape without the human figure’. Similarly, there is no human without the landscape in which they are situated, human and landscape mutually shaping, resisting and defining the other. Three new Australian novels probe this interdependence, each of them concerned with the historical forces that have silenced and confined women, and ... (read more)

Diane Stubbings reviews 'Fat Girl Dancing' by Kris Kneen

June 2023, no. 454 23 May 2023
In previous memoirs, Brisbane-based writer Kris Kneen has examined their life through the lens of their sexuality (Affection, 2009) and their family history (The Three Burials of Lotty Kneen, 2021). In Fat Girl Dancing, Kneen’s lens is their body, specifically the body of a ‘short, fat, ageing woman’. The struggle with body image that Kneen depicts here – a struggle that will be familiar ... (read more)

Diane Stubbings reviews 'Shy' by Max Porter

May 2023, no. 453 24 April 2023
In his preamble to a playlist for Faber Radio, Max Porter writes: ‘So much injustice but so much beauty, life is short and strange and I better run upstairs and tell these noisy little shits [my children] how much I love them.’ The quote would be an apt epigraph for Porter’s splendid new novel, Shy. The story of a troubled teen (Shy) who lives in a special education facility housed in a ‘s ... (read more)

'Bernhardt/Hamlet: A striking production of a disappointing play' by Diane Stubbings

ABR Arts 10 March 2023
More than a century ago, long before gender-blind casting became modish, the incomparable Sarah Bernhardt (1844–1923), a woman in her fifties, had the audacious idea that she would play Hamlet. Not only would she – scandalously – don breeches to do so, but she would also defy the critical consensus that Hamlet was a man in his early thirties. In her imagination, Hamlet was a wet-behind-the-e ... (read more)

'Prima Facie: The return of the Griffin production' by Diane Stubbings

ABR Arts 13 February 2023
Since first being produced at Sydney’s Griffin Theatre in 2019, Suzie Miller’s play Prima Facie – a legal drama about consent and sexual violence – has become something of a phenomenon. Awarded Griffin Theatre’s playwriting prize in 2018, the subsequent production was enthusiastically received by audiences and critics alike. A 2022 West End production – propelled by the star power of K ... (read more)
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