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Dance

This year marks the fiftieth anniversary of Graeme Murphy’s career as a dancer and choreographer, which began at The Australian Ballet in 1968. He has often returned to create new ballets on the company – during his thirty-one years as artistic director of Sydney Dance Company from 1976 to 2006, and more recently ...

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The Royal New Zealand Ballet’s world première of The Piano: The Ballet, inspired by Jane Campion’s Oscar-winning film The Piano (1993), began the company’s program for 2018. It is the second ballet on the subject by Jiří and Otto Bubeníček, former and highly decorated principal dancers at Hamburg Ballet. Their first ...

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Ballet at the Quarry, West Australian Ballet’s summer season, is eagerly anticipated by dance aficionados and the wider public alike, and this year’s program has drawn full houses and standing ovations. The Milky Way of the season’s title represents one of the most significant moves that Aurelian Scannella, the company’s ...

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The Australian première of Christopher Wheeldon’s Alice’s Adventures in Wonderland, created on the Royal Ballet’s brightest talents, was one of the happiest nights of ballet on record. It boosted The Australian Ballet’s small repertoire of full-length narratives in which all the elements ...

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Britain’s illustrious Royal Ballet has brought extraordinary gifts to QPAC audiences in Brisbane this year: two huge, exciting ballets which, in different ways, are game-changers in the creation of full-length narrative ballets. They are Woolf Works by the company’s resident ...

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William Golding’s Lord of the Flies (1954), about a group of British schoolboys marooned on a tropical island during a nuclear war, has been adapted for radio, stage, and screen. Acclaimed theatre director Peter Brook’s austere, 1963 black-and-white film, with a superb cast, is by far ...

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The Australian Ballet opened its first 2017 Melbourne season looking like a new creature – mature, chic, and serious, ready to tackle any challenges choreographers placed in its path ...

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Kenneth MacMillan’s Anastasia is one of several full-length dramas he created on his return to the Royal Ballet in 1971, after directing the Deutsche Oper Ballet in Berlin. It is a hybrid work, incorporating as its third act a famous one-act Anastasia that MacMillan created in Berlin in 1967. A shy ...

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No twentieth-century male ballet dancer has sparked as much adulation and scholarly investigation as Vaslav Nijinsky. Graduating from the Imperial Ballet School in St Petersburg at eighteen, this sexually ambiguous, rather remote man, became the darling of Russia's principal ballerinas ...

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To open its Melbourne winter season, The Australian Ballet has invited the handsome and talented Houston Ballet to make its Australian début in Romeo and Juliet by Houston's Australian artistic director, Stanton Welch. After reaching leading soloist and resident choreographer status in ...

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