Ein Mißgriff – a mistake, a blunder. That was Beethoven’s own assessment of that great crowd-pleaser, the finale of his Ninth Symphony. The composer Vaughan Williams, avowedly not a Beethovenian, was with the crowds on this one, claiming the movement as one of the four great choral works of all time – and since he was a Bachian, we can take from this that he is putting the movement alongsid ... (read more)
John O'Donnell
John O’Donnell is Monash University Organist, Founder/Director of Ensemble Gombert, and Director of Music at All Saints’, East St Kilda. He was born in Sydney and educated at the Sydney Conservatorium of Music, where he was appointed Lecturer in Academic Studies at the age of eighteen. In 1974 he was appointed Senior Lecturer in Music at the Victorian College of the Arts, where he subsequently served a term as Dean. In 1990 he was appointed Senior Lecturer in Musicology at the University of Melbourne. In 1995 he became a freelance performer, combining this with the position of Choir Director at Ormond College from 2007 to 2010.
He performs regularly as conductor, organist, harpsichordist, and pianist and is also active in music research and editing. He has undertaken twenty-one concert tours of Europe and twelve of North America, principally as organist and choral conductor. He is the first person ever to perform Bach’s complete keyboard works (organ and harpsichord) in public, a total of twenty-nine recitals in all. His recordings of the complete keyboard works of Johann Caspar Kerll (which he had previously edited for the Viennese publisher Doblinger) and organ works of Bach have met with international acclaim, an album of the latter named ‘Best Recording of the Year’ (2000) in the London International Record Review. During 2009 he conducted a highly-acclaimed season of Handel’s opera Xerxes with Victorian Opera, for which he was nominated for a Green Room Award, and in 2014 he directed four performances of the oldest extant opera, Peri’s Euridice, newly edited from the original print, at the Woodend Winter Arts Festival.
A dominant seventh of F resolving onto an F major chord (a perfect cadence); a dominant seventh of C resolving onto an A minor chord (an interrupted cadence); a dominant seventh of G resolving onto a G major chord (another perfect cadence): thus begins Beethoven’s Symphony No. 1 in C major. The audience at that first performance on 2 April 1800 must have been puzzled, at least. Cadences traditio ... (read more)
The Choir of King’s College, Cambridge, arguably the world’s most famous choir, is undertaking another Australian tour. It is travelling with two programs, both of which include a variety of music from the late Renaissance to the present day, and is performing in all mainland state capitals, as well as the national capital.
As a result of the curious removal of the organ from Hamer Hall some ... (read more)
Monday evening saw a curious pairing of repertoire and performers at the Melbourne Recital Centre.
Part One was a program of English consort music of the sixteenth and seventeenth centuries played by the local viol ensemble Consortium, while Part Two featured Icelandic pianist Víkingur Ólafsson playing Bach’s Goldberg Variations. If there was an artistic rationale behind the coupling, it has ... (read more)